Offbeat Origins: Shaping Singapore’s Creative Scene in the ’90’s
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This panel will explore the evolution of Singapore’s identity in the 1990s through zines, music and festivals. We will discuss how various subcultures have shaped the city’s creative scene and cultural identity. Speakers Shaiful Risan, Robin Chua and Huda Azzis will reflect on the ’90s spirit, sharing experiences and insights into the lasting impact of alternative culture on Singapore’s creative evolution.
Shaiful Risan (Shai) is an independent creative with roots in theatre, improv and stand-up comedy, and has played a range of roles in the arts and events scene. Known for his DIY approach and commitment to subcultures, he began writing zines in 1996 and has organised numerous independent music shows and art events, often spotlighting emerging artists. A performer, educator and advocate, he is driven by his working-class background and belief that alternative ways of thinking and living are essential to Singapore’s future.
Robin Chua is a pop-culture-driven creative whose work in music, design and photography aims to spark memories and nostalgia. A professional DJ and resident artist with Eatmepoptart, Chua blends his passions to create unforgettable experiences. His artistic talents extend to the visual arts, with past exhibitions like fFurious’ Singled Out (2015) and OH! Open House’s Singapore Calendar: Labour Day Edition. Through his work, Chua strives to bring people closer to shared memories and cultural moments.
Huda Azzis is a documentary video editor with over 10 years of experience in broadcast and online content. She also runs Your Local Newsstand, an independent publishing group specialising in photography zines. She is passionate about creating photo zines that showcase new and emerging photography projects. To date Your Local Newsstand has published over 15 independently funded photozines.
Beverley Ng is an artist and designer recognised for her ephemera-rich collage style and intimate pencil illustrations that capture diary-like narratives. There is a tactile, printed charm to her work as she combines layered textures and nostalgic materials, weaving stories that resonate with the viewer. Ng has contributed art direction and illustrations to cultural institutions like Esplanade, The Substation and the Singapore Art Museum. She also leads zine workshops, guiding others to explore collage and found materials as a means of reconnecting through the art of printed communication.
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